Lucky (Anil Kapoor) had had enough of change. From orphanages to juvenile delinquent homes! From odd jobs to petty crimes! From home addresses to jail addresses! He wanted his innocence back. A plot of land in Bangalore… a family... a dog… a new beginning. One last con-job, girlfriend in tow, sunset in background, and he would be well on his way. Twenty-four hours later, he’s been betrayed by his girlfriend, hunted by a drug lord, orphaned by the death of his three ...

A story of two estranged families, Hulchul has the premier family of a small town, headed by Fiery Angaarchand (Amrish Puri), an influential landlord, pitted against the family headed by Lakshmidevi, a rich landlady of the neighbouring village. Angaarchand and his family of four sons(Jackie Shroff, Paresh Rawal, Arbaaz Khan and Akshay Khanna) have taken a vow to stay away from women owing to a past family tragedy(apparently caused by womankind), and the mere mention ...

In the accused box of a courtroom stands a man, startled and shocked that destiny could lead him there. Only some time back Raj Malhotra had the world at his feet. None could point a finger at him. Today, he is accused of the most heinous crime. It all starts when he met Sonia again. A blast from his past, he was aware that she knew only one way to ive and that was her way!!! And one fateful day things do not go her way. Raj Malhotra is accused. Now his most prized ...

You need money to be rich but you need love to be happy. This in nutshell is the conflict of Tumsa Nahin Dekha. Daksh Mittal (Emraan Hashmi) is a charmingly witty and perpetually drunk millionaire. He comes across a working class girl Jia (Dia Mirza), shoplifting at a mall and it's love at first sight for Daksh. He subsequently discovers that Jia is actually a striptease dancer. But unfortunately for Daksh and Jia, the timing of this romantic encounter is odd. Daksh ...

All human beings are capable of distinguishing the real from the unreal (imaginary). But there are a few who refuse to recognize this distinction. Anu (Bipasha Basu), a fine arts student, from a happy and affluent family experiences a tragedy. On September 11, 2001 terrorists attacked New York's World Trade Center, killing Anu's elder sister and her brother-in-law. The impact of the tragedy shook her badly and she had a mental setback. To help her overcome this prob ...

Rishabh (Salman Khan) is a partner in an upcoming media company while Pari (Preity Zinta) is a doctor. Both are intensely in love with each other. They have vowed to work hard to build a life of their dreams. They seem destined to live happily ever after, but fate intervenes. Pari has a fatal accident. Suddenly, Rishabh is all alone. He is devastated. He cannot handle this shattering loss. The four walls that once symbolized their love become a fortress of trapped m ...

Whoa...hold your horses. Here is yet another David Dhawan comedy where he gets his usual camper Salman Khan and teams him with Akshay Kumar and tries to give viewers something Dhawan haven't in a long time - a successful comedy. But Great Expectations might work well with someone like Charles Dickens, but it is always better if you don't keep such things reserved for a Dhawan flick. Cause no matter how talented the cast and crew that is assembled, there is always so ...

Diya Malhotra (Aishwarya Rai) is an idealistic, sensitive girl whose childhood was spent in the coffee plantation town of Coorg. Malhotra (Tinnu Anand) single-handedly brought up Diya, after his wife passed away. Malhotra has a dear friend Raj Chauhan (role played by Amitabh Bachchan), a confirmed bachelor who has dedicated his life to a small orphanage he has in his home. Diya has been involved with the work there and is committed to social work. For her Masters in ...

Dhoom begins with a slick robbery in which an armoured truck is stripped of its money by four helmeted, leather-suited bikers. Despite the speed of the thrilling opening sequence, it is the super-bikes -- all from the Suzuki stable -- that grab your attention. A gang of robbers led by Kabir (John Abraham, repeating his screen name from Jism) are carrying various impressive crimes in the city. They all zoom around on fantastic looking motorbikes, picking up loot in a ...

“My screen women are my fantasy. I create them because they don’t exist in reality… the desire for women is an animal instinct.” Those words of Varma from a previous interview should serve as a mandatory manual for his movie. For few minutes through the film, you can obviously tell this is the director’s immoderate indulgence into a teenaged, caricatured world-view of the female form — a wet dream of an unholy cross between a luscious Lolita and a buxom Blondie/Barb ...